Ballet
Romeo and Juliet, Sadler's Wells, London
Romeo and Juliet is one of the most popular and most performed ballets in the world, with most of the major troupes having a version in their repertories.
Dance review: Romeo and Juliet, Sadler
Returning to London after more than quarter of a century, the National Ballet of Canada brings Alexei RatmanskyThe National Ballet of Canada: Romeo And Juliet, Sadler's Wells - dance review
Do we need another Romeo & Juliet? The National Ballet of Canada certainly thought so when they commissioned the darling of classical ballet, Alexei Ratmansky, to make one for their 60th anniversary in 2011, and they chose to showcase it on their first tr
The Natalia Osipova effect comes to the Royal Ballet
The Russian star's arrival this autumn, following Leanne Benjamin's departure, opens intriguing questions about the company's next steps A couple of weeks ago, the Royal Ballet announced that principal dancer Leanne Benjamin would be retiring at the end
Midnight Express, Peter Schaufuss Ballet, London Coliseum
Yok is a fine Turkish word meaning “there isn’t any”. You use it for “no”, as in, say - is Midnight Express any good? Yok.The National Ballet of Canada: Romeo & Juliet - Sadler's Wells
Canada’s premier dance company The National Ballet of Canada returns to London after 26 years with its new production of Romeo and Juliet, which was created in 2011 to mark the company’s 60th anniversary. Choreographed by former Bolshoi Ballet dire
Review: Peter Schaufuss Ballet - Midnight Express - London Coliseum
It was fortuitously appropriate that the first person I met on arrival at the London Coliseum for this performance was Billy Hayes, the man whose real-life adventure inspires the story of Midnight Express.
Dance review: The Rite of Spring & Petrushka Sadler’s Wells, London
Staged by Irish choreographer Michael Keegan-Dolan for Fabulous Beast Dance Theatre, The Rite of Spring suggests a late and shivery spring, rather like this year
La Bayadère; Midnight Express – review
It's an ill wind that blows no one any good. So far, April has been marked by substitutions, injury and last-minute departures. At Covent Garden, Alina Cojocaru's indisposition meant that her role in La Bayadère was taken at short notice by Roberta Marqu