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Installation & Multimedia

After Dark - Tate Britain

Ever wanted to explore a museum alone, at night? After Dark is a series of live events taking place over five nights at Tate Britain. Via an online portal, the public will be able to control robots and roam the galleries in search of 500 years of Briti

Shelagh Wakely A View from a Window - Camden Arts Centre

Nature and its ephemeral magic are the focus of a major exhibition of work by influential British artist Shelagh Wakely (1932–2011). Across all the galleries and the garden, the exhibition brings together works spanning the breadth of media Wakely worke

Gilbert & George: Scapegoating Pictures for London

Never have kisses seemed more self-consciously sardonic than in Gilbert & George’s ‘Scapegoating Pictures for London’.

Giulio Paolini: To Be Or Not To Be

Right at the start of this excellent retrospective is a lifesize image of Giulio Paolini, arms folded, wearing some cool shades (pictured).

Gilbert & George: Scapegoating Pictures for London, White Cube - exhibition review

Gilbert and George's latest images at the White Cube explore themes of paranoia, religion and atheism.

Gilbert And George Create A Scary Picture Of London

Gilbert & George are an artistic duo whose large scale works are about fear, and their signature is to always include themselves in their own artworks.

Gilbert & George exhibition: Offensive, progressive, or just anarchic?

Gilbert & George have always delighted in causing offence. In their new exhibition, the immaculately tailored pair attack religious fundamentalism, drug abuse and youth culture and have produced their most outrageous – and brilliant – works yet, says

Glasgow 2014: Scots artists take on Commonwealth

WITH Glasgow 2014’s opening just days away, a year of art celebrating and questioning Scotland and its Commonwealth past reaches a crescendo.

Halfway through 512 hours of Marina Abramovi: no one to hear you scream

Our critic revisits Abramović's residency at the Serpentine and finds its stifling silence and exam-style tasks evoke more production-line misery than mindfulness.

Shelagh Wakely, A View from a Window, Camden Arts Centre

I’ve curated nearly 70 exhibitions in my time. The most challenging was Elizabeth Frink’s  retrospective at the Royal Academy.