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Tim Ashley

Saariaho: La Passion de Simone - review

Upshaw/Tapiola Chamber Choir/Finnish Radio SO/Salonen (Ondine) Kaija Saariaho 's La Passion de Simone was premiered in Vienna in 2006 in a staging by Peter Sellars, which was widely believed to be the principal reason for its cool reception when it tr

La Bohème – review

Opera productions are changeable things. Some decline in quality after their opening run, others don't cohere until revival time. Jonathan Miller's English National Opera staging of La Bohème falls into the latter category. It was deemed baffling when ne

Juan Diego Florez - review

Barbican, London Ahead of his appearances in Rossini's La Donna del Lago at Covent Garden next month, Juan Diego Florez has been displaying his vocal prowess at a rather fine Barbican residency. He takes masterclasses this weekend. First of all, howeve

Philharmonia/Gatti - review

"While I'm no atheist, I'm certainly not much of a believer," Verdi once remarked.

Die Zauberfl

Royal Opera House, London The Royal Opera 's latest revival of David McVicar 's production of Mozart's Die Zauberfl

D'Indy Symphonie sur un Chant Montagnard Français; Médée; Saugefleurie – review

Vincent d'Indy (1851-1931) is a troubling figure. Antisemitic and anti-Dreyfusard, his far-right views place him beyond any ideological pale for many. Yet he was also a composer of considerable stature, and Chandos's ongoing retrospective of his orchestra

Anna Prohaksa: Enchanted Forest - review

Prohaska/Arcangelo/Cohen (DG Archiv) The enchanted forests of the Renaissance imagination - places of mystery and erotic confusion - haunted Baroque theatre composers, who often looked to earlier literary sources for inspiration. Soprano Anna Prohaska

Fibich: Symphony No 1; Impressions from the Countryside - review

This marks the start of Naxos's survey of Czech composer Zdeněk Fibich(1850-1900), whose work is much in need of reassessment. Standing in the shadow of Smetana and Dvořák, he has a reputation as a tragedy merchant whose fondness for Wagner was deemed

Schubert: Winterreise - review

Coote/Drake (Wigmore Hall Live) Despite its universality, Winterreise is usually deemed the province of male singers. Women have always sung it, however, and Alice Coote now adds her name to the distinguished list of female interpreters that includes

Strauss: Don Quixote; Till Eulenspiegel - review

Richard Strauss, often finicky in his choice of performers, allotted the premieres of Till Eulenspiegel and Don Quixote, in the opinion of many his finest tone poems, to the Gürzenich Orchestra in Cologne. Ahead of the 150th anniversary of the composer's