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Turner prize 2013 shortlist: Tino Sehgal dances to the fore
The deviser of unsettling public encounters is a world-class artist in a way that the other contenders - Laure Prouvost, David Shrigley and Lynette Yiadom-Boakye - are not The 2013 Turner prize shortlist is strangely unbalanced, but it also makes...
Saturday Review: Pinter's The Hothouse and The Reluctant Fundamentalist
Pinter's The Hothouse and Mira Nair's film The Reluctant Fundamentalist.
Me and You - review
There's intimacy and immediacy in this movie from the 73-year-old Bernardo Bertolucci: it's an engaging, if slight, two-hander about a troubled teenage boy, Lorenzo (Jacopo Olmo Antinori) who tells his mother he's going on a school skiing trip but...
Theorem - review
Maybe Pasolini's playful fable of ideas is the great director's attempt to put a bomb under Italy's stagnant governing class Pasolini's Theorem - now revived nationally in cinemas as part of a retrospective - is bizarre, playful and mysterious, an...
First Position - review
A documentary about aspiring American ballet dancers has been fatally influenced by reality-TV feelgood values Bess Kargman's First Position is a blandly feelgood documentary about aspiring young ballet dancers. Kargman follows a handful of teens as...
The High Art of the Low Countries, BBC Four, review
Florence Waters reviews the first part of Andrew Graham-Dixon's new series on the art of Renaissance Flanders.
Night Waves: Oliver Stone, Chimamanda Adichie, Web Harvesting
Chimamanda Adichie, Oliver Stone, AS Byatt on web harvests, and a Twitter-inspired opera.
Rolling Stones: Crossfire Hurricane
An intimate portrait of the evolution of one of the world's most enduring rock bands.
Saturday Review: Julian Barnes's new novel Levels of Life and A Late Quartet with Christopher Walken
Julian Barnes's novel Levels of Life; new film A Late Quartet with Christopher Walken.
Front Row: Tamara Rojo; James Blake; The Place Beyond the Pines
Dancer Tamara Rojo; musician James Blake; The Place Beyond the Pines starring Ryan Gosling.